As much as I was enjoying myself, I wanted to see the same pleasure on Lisa’s face, so decided to return the favour. I poured oil onto my hands and ...ubbed it into Lisa’s pert little breasts. She responded by moaning, and her breathing became faster and deeper. She leaned forward and gently kissed my neck. She ran her hand from my breast, down my stomach and began to trace her way down to my soaking wet pussy. She parted my lips, then easily slipped two fingers deep inside me. This sent tremors. To tell the truth, the apartment is much more spacious than I need or want, but on the other hand that space allows me to ... entertain.” Much remained unspoken behind the last word, leading Luke to wonder exactly what sort of “entertainment” he hosted.“One more question before I forget: what time do we need to be out of your hair? If this goes ... well, if we end up in bed and if Kathryn’s her usual self, we won’t get much sleep. But one of us needs to be rested enough to drive home, and I’m. She's sitting with her arms out to her sides and her head slightly cocked sideways letting her hair fall in front of her face. Her knees were together but her feet were far apart; toes pointing at me. Mesmerized I start walking towards her. I can feel my heart pounding in my chest and my dick rising against the fabric of my trunks. I walk up to her and brush the hair out of her face as she lifts her face up. She blinks as her eyes meet mine and her lips curl up at the sides. I bend down and. This ambiguity of male and female and ofmasculine and feminine is repeated throughout the drawing, as it is inmany of Leach's other sketches. Vaguely penile and vaginal shapes abound,as do suggestions of disembodied buttocks which sometimes make up partsof the figures and sometimes parts of the landscape or of the buildings.Ambiguity is everywhere present, as shapes that first seem to be phalliclater appear to be buttocks or breasts and vice-versa. Even inanimateobjects, like the earth itself,.