I pull his elbows towards oneanother but not too close - not for the first time - andtie them. I circle and cinch more rope around his chest sohis arm... are pinned to his back. I use more cord to bindabove and below his knees. He won't be able to uncross hisankles or get those shoes off with the last length of cordI used on them. I step behind him and say, "Open up" thenplace the bit between his teeth and buckle the gag intoplace. I forget everything for a second and get into themood of the. She, much more than the others around her, appeared to remain puzzled for a longer period of time as each new face came into view. As though the recognition of her awaited one might be more difficult. The frequency of the young woman's restricted steps slowed as she noticed the familiar face of the waiting older woman. The increased number of people moving along with the young woman as the exit area narrowed resulted in her gathering somewhat less attention, due only to her reduced visibility. Fuck, fuck, fuck. Fuck! Fuck! Fuck!" She bellowed, top of her lungs." Faster and faster each hand raced.'FUCKKKKKKKKKKKKKKKKKKK!" The scream was more of an extended screech like a dog who gets hit a good one by a fast moving car.I either imagined she leaned over and tried to bite me, or, didn't imagine it. I did, I imagined it."Get me home, spread me wide and fuck me, boy. I need a hard cock. Any will do. Yours isn't handy. Get it handy, Cully. Tromp on that pedal."Traffic had slowed at about. It was exactly as I remembered it from the sketches I'd been shown, a raised platform toward the rear of the stage—but not too far back—where for a brief time I'd have sole prominence. Even the chorus and the two leads who'd be on-stage then, slave-girl Liu and her basso master, would turn to look at me (although since his character's blind, the last didn't make much sense). In that moment I'd be the sole focus of all.And I was going to make the most of it.The main part of my costume was an.