" I felt each heartbeat inflate me more. "Would you be proud to show the world how much you love me?" "Yes, my love!" "Then fill your cock with proud ...ove for me." "Yes, my love." The skin on my cock was tightening, stretching. It ached from swelling so fast. "I want to see the intensity of your love for me." "Yes, my love." It was very erect now. "I want every ounce of your love for me to flow into your cock." "Yes, my love." My cock was pulsing. "I want it harder than ever before!" "Yes, my. We were looking at the pics when she asked:S: Can we make it better?I: Well, we can. But, you might not want to do that.S: how?I: Are you sure you want to do it?S: Yes.I: then you have to be naked.Sheila was thinking for a while and finally said:S: Will you guide me?I: sure.S: Okay.We started with the shoot where I asked her to lie down on the bed with her cleavage tight and neck hanging.Then I asked her to show her one tit in the open. She did the same. I wanted to suck the melon in view but I. Back to Fiona in her tiny little flat. It’s barely more than a single room, and judging from the window we’re almost below ground level. An old building that’s been converted into flats – or a sharehouse.Fiona is standing in the middle of the room, with our cameras already set up giving different views of her. At the moment that means a hand-held frontal shot, a side angle, and a shot looking right up at her very neat bottom. She’s still fully dressed, but off-duty her clothes are tight enough. I threw a long sweater over it all and drove over to the warehouse.I got there about an hour early and met the producers, John and Ken, inthe office.John told me to follow him and we walked out into the main warehousewhere they had the set.The set was simple, a large black vinyl beanbag chair on a cheap carpetcentered near the back, surrounded on three sides by white sheetshanging from poles, creating a room about 100' square.Three video cameras on stands were facing the chair from the front.