She sang ina voice somewhere between a tenor and an alto and certainly knew how to?put over? a number. She started with standards from shows by Porter...andGershwin before moving into a more funky blues area of music. She avoidednumbers associated with obvious gay icons such as Judy Garland or BillyHoliday and concentrated instead on the music of Aretha Franklin andBessie Smith.Her performance was rewarded with prolonged applause and she was forced toconcede several encores. My heart was bursting. .. how to trap them and how to do for them ... You'll remember, won't you? A diary bound in drab cloth ... I'm putting it back in the safe."Gradually his calmness returned. He pushed back the glass case, tidied a few papers, switched on the electric lamp above his bed, put out the lights in the middle of the ceiling, and asked Don Luis and Mazeroux to leave him.Don Luis, who was walking round the room and examining the iron shutters of the two windows, noticed a door opposite the entrance door. It was the moment of inspiration and the instant he knew that she loved him, too. Though as a married woman she could not declare it outright. She looked back at him with longing. Then she left.”“Is that the end, that can't be the end!”“No mom, of course not, this is a love story as well as a mystery, and not only an art history lesson but the true intimate tale of scandal. She came back and posed in that dress, in that manner, with that air of longing, the heartache of beauty that could. "Fishing?" David asked."That comes later ... first you need to learn to cast." He presented David with a stubby South Bend rod ... five feet long ... as long as he was tall ... plus two feet."This is a 1920 Shakespeare Wondereel. I went through it last night and oiled it. It's a little old but it works ... and No, you can't use my 1932 Shakespeare Tru-Axis reel."The Other reel was a thing of beauty and American engineering.The Wondereel was the beginning of David's casting education. Practice,.