.." the man groaned.Anne's long, supple legs flailed and kicked each time the corpulent b**st thrust himself down into her demure face. His assault on...her mouth was relentless, and overall his movement was heavy, clumsy and awkward, but all that mattered to him was that he got his fat little prick deeper into Annie's mouth, to feel more of that million dollar tongue working his prick; to treat her mouth like a cheap pussy."Oooh, you're a real filthy little bitch, aren't ya?" the lucky man. ."Kathy climbed two stairs of the staircase, and then hopped off. Just before she hit the floor, she teleported to Matt's side, standing erect and still. She then climbed 5 steps, and repeated the maneuver. She finally climbed up 40 feet, near the ceiling, and leaped off, falling rapidly and teleporting to Matt's side just before crashing into the floor. She looked up to him and said, "How does this work? It reminds me of my dream, where I start rolling a bowling ball down the staircase. After. “No. We should try on each other. Want to?” Samantha asked blushing.“Okay.”Robbie and his sister stood up. They held each other in a tight embrace. Robbie placed a kiss on his sister’s lips.“Open your mouth a little!” Robbie asked calmly.The siblings shared a kiss with a little tongue-action. They had never shared a kiss, so it was very slow and not perfect.“Let’s lay on the bed,” Samantha said.They moved over to the bed and helped each other off with their clothes. The computer was still. It can't be otherwise.To provide depth and context to the description of bodies in collision,writers of erotica must employ the same set of tools that any otherauthor uses to accomplish this feat: figures of speech (especiallymetaphor), analogy, symbolism, juxtaposition, and other poetic andrhetorical devices. Some--too many, by far--of these devices are built-in, as it were, to erotica. It is a rare story, indeed, for example, inwhich a penis is not described as a ramrod (which "rams"), a.